Tuesday, 2 December 2014

Shards: A novella By Cynthia Marangwanda

                                                                     SHARDS

Shards explores the links between the African traditional spirit world which unfortunately is harangued into an uneasy silence by colonial conquest faiths. A strong undercurrent of the link between the living and the dead or the living dead permeates this work.
The novella largely is Cynthia’s heart rending experiences of her face to face encounters with the African spiritual realm and everyone around her thinks it’s nothing, but a mental trauma. They all sought a solution in Christianity and modern medicine. Their radical intolerance of her spiritual vocation justifies their reason to alienate her at the same time giving life to her passion for solitude.
Her use of the stream of consciousness style, exquisite language and gripping imagery takes the reader out of the world of the physical to capture the realities of the world of the divine. Surely this book is a tribute to the late author of ‘Mazivandadzoka’, J W Marangwanda the grandfather of the author of Shards. This novella proves that his blood  courses through Cynthia’s veins and arteries.
Jabulani Mzinyathi

In a society that is servile to dictates of other civilizations, this piece sanitizes African spirituality blemished by the colonial past and its present ghosts of neo-colonialism. Here the departed souls continue to vindicate their progeny and are the reason for their social alienation. The narrator is a victim of such, using her reincarnated and omniscient voice in this piece  she offers a rebellious alternative to the eulogized values of modernity, for example Christianity. It exposes the violence, xenophobia and marginalization that Christianity has rendered to those who respond to the African celestial call.  Apart from the present day challenges of neo-colonialism, this narrative voice locates the cradle of humanity to Africa long before there was the Bible, Koran and the political flags now representing the identity of a people and their place in the face of the earth. 
Richard Mahomva

The violence, acculturation and immorality in Shards is a reflection of the day to day stresses of the modern African’s survival space. Self-originality is criminalized, human dignity lost in the trash bins of urban life. Cynthia warns us not to lose ourselves in the present day political and religious gimmick. This is because modern religious and political alterations in Africa are the reason why we can’t trace the source of our true identity. 
Kudzai Chikomo






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